Foundations of Music Technology
An educational reference covering the fundamentals of recording, production and audio engineering — bridging classical music theory with digital workflows.
Books, essays, education and field notes documenting how music, technology and culture are changing one another.
Research starts inside the practice: the sessions, tools, catalogs and traditions the studio actually works with. We keep notes as we go — production decisions, references, failures — so the writing draws on evidence rather than recollection.
Long-form work is drafted the way records are produced: a clear argument, supporting material chosen deliberately, revision until each chapter earns its place. First person appears only where direct experience carries the point.
Publication is treated as craft in its own right: structure, sequence, citation and credit, publication metadata, purchase and reading links. Each work receives an edition mark in the studio catalog and stays maintained after release.
Publishing does not end at the book. Field notes, listening notes and process pieces continue in the Journal, and the archive is kept in order so the work remains findable — and quotable — years later.
Two books written from inside the practice — presented here as editions of the studio catalog, with excerpts to read before buying.
An educational reference covering the fundamentals of recording, production and audio engineering — bridging classical music theory with digital workflows.
An illustrated survey of Eastern musical traditions — forms, instruments and lineages — written from inside the practice of production rather than from the archive alone.
Between books, the research practice continues in the Journal — essays, field notes, process pieces and listening notes from where music, tools, culture and listening systems meet. It is written as an editorial publication, not a company blog.
Read the JournalBring us the practice that deserves a written record.
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